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<p>Installation View, <em>Betriebsfeier - Jahresgaben 2022</em>, Foto: Fred Dott.</p>

Installation View, Betriebsfeier - Jahresgaben 2022, Foto: Fred Dott.

<p>Liz Craft, <em>Polyomino, </em>Ceramics, wood, 40 x 25 cm, 2022</p>

Liz Craft, Polyomino, Ceramics, wood, 40 x 25 cm, 2022

<p>Sophie Reinhold, <em>The Contortionist (Sketch), </em>Oil on canvas, 70 x 50 cm, Photo: Fred Dott.</p>

Sophie Reinhold, The Contortionist (Sketch), Oil on canvas, 70 x 50 cm, Photo: Fred Dott.

<p>Leyla Yernice, <em>Eine macht alles richtig / Eine andere fühlt sich nicht mehr wichtig, </em>Silk screen print, 3-parts, je 53 x 75 cm, 2022, Photo: Fred Dott.</p>

Leyla Yernice, Eine macht alles richtig / Eine andere fühlt sich nicht mehr wichtig, Silk screen print, 3-parts, je 53 x 75 cm, 2022, Photo: Fred Dott.

<p>Marc Camille Chaimowicz, <em>Table Lamp, </em>Schichtholz, Beton, Kabel Aluminium, Acryl auf Stoff und Draht, 2022. Foto: Fred Dott.</p>

Marc Camille Chaimowicz, Table Lamp, Schichtholz, Beton, Kabel Aluminium, Acryl auf Stoff und Draht, 2022. Foto: Fred Dott.

<p>Elisa Barrera, <em>Energy XV – XVII, </em>Mixed Media, Diameter 20 cm, 2022. Photo: Fred Dott.</p>

Elisa Barrera, Energy XV – XVII, Mixed Media, Diameter 20 cm, 2022. Photo: Fred Dott.

Installation View, Betriebsfeier - Jahresgaben 2022, Foto: Fred Dott.

<p>Angharad Williams, <em>Pacifism is not something posted on a closed door, </em>Acrylic on canvas , 40 x 50 cm, 2022, Photo: Fred Dott.</p>

Angharad Williams, Pacifism is not something posted on a closed door, Acrylic on canvas , 40 x 50 cm, 2022, Photo: Fred Dott.

Installation View, Betriebsfeier - Jahresgaben 2022, Foto: Fred Dott.

<p>Richard Sides, <em>Buying houses with Crypto, </em>Ready-Made IKEA-Druck on aluminium, blow up puppet, inkjet on paper, 69 x 40 cm, 2022. Photo: Fred Dott.</p>

Richard Sides, Buying houses with Crypto, Ready-Made IKEA-Druck on aluminium, blow up puppet, inkjet on paper, 69 x 40 cm, 2022. Photo: Fred Dott.

<p>Laura Ziegler & Dean E. Stephanus, <em>vertra(e)gliche Malereien/ der erste Eindruck, Vogelperspektive, Hafen City, Hamburg, </em>Acrylic on canvas, 18 x 23 cm, 2022. Foto: Fred Dott.</p>

Laura Ziegler & Dean E. Stephanus, vertra(e)gliche Malereien/ der erste Eindruck, Vogelperspektive, Hafen City, Hamburg, Acrylic on canvas, 18 x 23 cm, 2022. Foto: Fred Dott.

<p>Vera Lutz, <em>Das unsichtbare Haus, </em>Felt-tip pen and pigment print on paper, 44 x 32 cm, 2022. Photo: Fred Dott.</p>

Vera Lutz, Das unsichtbare Haus, Felt-tip pen and pigment print on paper, 44 x 32 cm, 2022. Photo: Fred Dott.

Elisa Barrera, Energy XV – XVII, Mixed Media, Diameter 20 cm, 2022. Photo: Fred Dott.

Installation View, Betriebsfeier - Jahresgaben 2022, Foto: Fred Dott.

<p>Birgit Megerle, <em>Ohne Titel, </em>Fotografie, 20,5 x 30,5 cm, 2011. Foto: Fred Dott.</p>

Birgit Megerle, Ohne Titel, Fotografie, 20,5 x 30,5 cm, 2011. Foto: Fred Dott.

Installation View, Betriebsfeier - Jahresgaben 2022, Foto: Fred Dott.

<p>Pentti Monkkonen, <em>Coin Laundry, </em>Inkjet on paper, selfmade noodles (water, hard wheat), 2022. Photo: Fred Dott.</p>

Pentti Monkkonen, Coin Laundry, Inkjet on paper, selfmade noodles (water, hard wheat), 2022. Photo: Fred Dott.

<p>Installation View, <em>Betriebsfeier - Jahresgaben 2022</em>, ALL-IN Studio, NO.5 'MATERIAL GIRL' (magazine excerpts and objects), 2022, Foto: Fred Dott.</p>

Installation View, Betriebsfeier - Jahresgaben 2022, ALL-IN Studio, NO.5 'MATERIAL GIRL' (magazine excerpts and objects), 2022, Foto: Fred Dott.

Installation View, Betriebsfeier - Jahresgaben 2022, Foto: Fred Dott.

<p>Maximilian Schneider, <em>Dying of Politeness</em>, Magazine cutout, mirror film, transfer print, enamel on canvas self-made plexiglass frame, 98,0 x 70,0 x 5,5 cm, 2022, Foto: Fred Dott.</p>

Maximilian Schneider, Dying of Politeness, Magazine cutout, mirror film, transfer print, enamel on canvas self-made plexiglass frame, 98,0 x 70,0 x 5,5 cm, 2022, Foto: Fred Dott.

<p>Maximilian Schneider, <em>Untitled (pickpocket), </em>Transfer print, acrylic, magazine cutout, nylon on canvas, self-made plexiglass frame, 2022, Foto: Fred Dott.</p>

Maximilian Schneider, Untitled (pickpocket), Transfer print, acrylic, magazine cutout, nylon on canvas, self-made plexiglass frame, 2022, Foto: Fred Dott.

Installation View, Betriebsfeier - Jahresgaben 2022, Foto: Fred Dott.

<p>Hans Christian Lotz, <em>Rain over water, </em>Hard disk, acrylic housing, polarization film, silicone, Video: 2:40 min, Loop, 2011. Photo: Fred Dott.</p>

Hans Christian Lotz, Rain over water, Hard disk, acrylic housing, polarization film, silicone, Video: 2:40 min, Loop, 2011. Photo: Fred Dott.

<p>Theresa Patzschke und Eleni Poulou, <em>The Awning</em>, Printing and ink on coated photo paper, 29,7 x 42 cm, 2022. Photo: Fred Dott.<br><br></p>

Theresa Patzschke und Eleni Poulou, The Awning, Printing and ink on coated photo paper, 29,7 x 42 cm, 2022. Photo: Fred Dott.

<p>Theresa Patzschke und Eleni Poulou, <em>The Awning </em>(unique drawing), Printing and ink on coated photo paper, 29,7 x 42 cm, 2022. Photo: Fred Dott.<br><br></p>

Theresa Patzschke und Eleni Poulou, The Awning (unique drawing), Printing and ink on coated photo paper, 29,7 x 42 cm, 2022. Photo: Fred Dott.

<p>Tom Humphreys, <em>Sure it’s Map, </em>Ceramics, ceramic toner, 2022. Photo: Fred Dott.</p>

Tom Humphreys, Sure it’s Map, Ceramics, ceramic toner, 2022. Photo: Fred Dott.

<p>Michaela Meise, <em>Potpourri UDK, </em>Glasierte Keramik, Visitenkarte, Blüten, Gewürze, ca. 20 x 30 x 10 cm, 2012. Foto: Fred Dott.</p>

Michaela Meise, Potpourri UDK, Glasierte Keramik, Visitenkarte, Blüten, Gewürze, ca. 20 x 30 x 10 cm, 2012. Foto: Fred Dott.

<p>Laura Ziegler & Dean E. Stephanus, <em>Homeless cities - a master plan, </em>Zine, DIN A5, 2022. Foto: Fred Dott.</p>

Laura Ziegler & Dean E. Stephanus, Homeless cities - a master plan, Zine, DIN A5, 2022. Foto: Fred Dott.

<p>Laura Ziegler & Dean E. Stephanus, <em>vertra(e)gliche Malereien/ Investor liegend, Hafen City, Hamburg, </em>Acrylic on canvas, 18 x 23 cm, 2022. Photo: Fred Dott.</p>

Laura Ziegler & Dean E. Stephanus, vertra(e)gliche Malereien/ Investor liegend, Hafen City, Hamburg, Acrylic on canvas, 18 x 23 cm, 2022. Photo: Fred Dott.

Images

TEXT

Betriebsfeier: Jahresgaben 2022

Exhibition December 11, 2022 – January 15, 2023

11.12.2022–15.01.2023
Opening: 10.12.2022, 14:00–20:00

This year's presentation of the Jahresgaben brings together new works, editions, projects, publications as well as Jahresgaben from the archive of Halle für Kunst Lüneburg. In addition, the Jahresgaben will be presented on the website of Halle für Kunst and can be purchased on site or online. During the exhibition opening Leyla Yenirce will present a performance developed for Halle für Kunst.

18:00
ROT GRAU BLAU
Performance by Leyla Yenirce, with Simav Hussein, Janosa Mike, Emil Borgeest

Jahresgaben 2022 with contributions by

ALL-IN STUDIO
ELISA BARRERA
MARC CAMILLE CHAIMOWICZ
LIZ CRAFT
TOM HUMPHREYS
HANS-CHRISTIAN LOTZ
VERA LUTZ
BIRGIT MEGERLE
MICHAELA MEISE
PENTTI MONKKONEN
THERESA PATZSCHKE & ELENI POULOU
SOPHIE REINHOLD
MAXIMILIAN SCHNEIDER
RICHARD SIDES
ANGHARAD WILLIAMS
WOMEN'S HISTORY MUSEUM
LEYLA YENIRCE
LAURA ZIEGLER & DEAN E. STEPHANUS

Organized in collaboration with Simone Curaj

The annual program at Halle für Kunst Lüneburg e.V. is funded by the Ministry for Science and Culture of Lower Saxony, Sparkassenstiftung Lüneburg, and Hansestadt Lüneburg. The educational program at Halle für Kunst Lüneburg e.V. is funded by the Ministry for Science and Culture of Lower Saxony.

HALLE

FÜR

KUNST

HALLE FÜR

KUNST Lüneburg

HALLE

FÜR

KUNST

Lüneburg

Betriebsfeier: Jahresgaben 2022